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Fuji FinePix S5 Pro Digital Camera Preview

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Fuji FinePix S5 Pro Digital Camera Preview Fuji FinePix S5 Pro Digital Camera

Fujifilm has announced the development of the FinePix S5 Pro, the keenly-awaited successor to the acclaimed FinePix S3 Pro.

In a DSLR market that is much more competitive and dynamic than the one its predecessor was launched into, the FinePix S5 Pro will stand apart from the crowd by combining the much sought-after picture quality of Fujifilm’s Super CCD SR sensor with a fully digital and durable professional metal alloy body. With this superior combination of truly professional handling and image quality, Fujifilm expects the FinePix S5 Pro to appeal to an even broader range of professional photographers.

Fujifilm’s ultimate goal in development of its DSLR cameras has been to maximise image quality through constant research and development into its sensor technology. With the introduction six years ago of its acclaimed Super CCD, Fujifilm moved away from increasing the pixel density of its sensors in favour of image quality developments that increase the overall performance of the sensor. The FinePix S5 Pro will see the refinement of a winning formula – Fujifilm’s Super CCD SR II will be updated to the new Super CCD SR Pro. Using a unique layout of twelve million paired photodiodes (6.17 million larger ‘S’ photodiodes for main image information, combined with 6.17 million smaller ‘R’ photodiodes for bright area information), the S5 Pro will deliver improvements in noise, dynamic range, colour and tonality. Further improving the capability of the sensor, a new, improved low-pass filter will ensure that moiré and noise are kept to an absolute minimum. Fujifilm believes improvements in these key areas will be of more true value to professional photographers – the challenge is quality of information, not quantity of information.

The redesigned Super CCD SR Pro sensor will be at the centre of the camera’s performance. However the new Real Photo Processor Pro will ensure that the information is handled in such a way to produce images that are beautifully vibrant, with colour recorded as the human eye sees it. The processor’s two stages of noise reduction will deliver an impeccably clean image, and also permit light sensitivity up to ISO 3200 whilst achieving sharp, low-noise images. A new dark noise reduction process, subtracting the residual, ambient noise on the sensor from the actual exposure, helps the camera produce smooth, clean images when long shutter speeds are used.

The FinePix S5 Pro will also introduce one particularly sought-after feature; the ability to record JPEG and RAW files simultaneously to the card. This will enable photographers to view and distribute smaller-sized jpegs, whilst retaining the ability to work on the larger RAW files later on a PC or Mac. This dual option is available with a variety of image sizes, giving the option to store either a small, emailable file size, or a larger, more detailed JPEG.

With its predecessor achieving recognition for its excellent ergonomics, the FinePix S5 Pro will take the system into a different league, using a tough, professional magnesium alloy shell. With weatherproof seals, and first-rate design, the S5 Pro will be a camera truly deserving of the term ‘workhorse’, equally at home in the studio as on a nature assignment in a humid rainforest. The camera’s shutter mechanism will be testament to its durability, as it has been tested to exceed the key benchmark of 100,000 cycles.

The FinePix S5 Pro will also afford the user much greater control over the unique image parameters that its technology provides. Six stepped dynamic range settings between 100% (normal dynamic range) and 400% (dynamic range expanded by two stops) will enable the photographer to achieve exactly the tonal feel to their images that they want. In addition, three distinct settings for the ‘negative film’ preset option will further enhance the customisable nature of the camera, giving portrait photographers precisely the ‘look’ that they have in their mind’s eye.

Image processing and quality

  • Real Photo Technology Pro, which combines the Super CCD SR Pro and the RP (Real Photo) Processor Pro, allows for greater dynamic range with smoother tonality from highlight to shadow
  • The improved Super CCD SR Pro features an optimised low-pass filter to reduce noise and minimise moiré
  • The newly developed RP Processor Pro features two cycles of noise reduction which enables photographers to take images at even higher sensitivities (ISO 100 to ISO 3200) with visibly reduced noise  

Greater flexibility to control colour and dynamic range

  • For even greater creative control over the FinePix S5 Pro’s dynamic range, photographers can now choose from up to six preset ranges between 100% and 400%
  • For improved reproduction of natural skin tones, three new variations of the original film simulation mode (F1) have been added (five modes in total)

Other camera functions and features

  • Nikon F-mount compatibility for all functionality with all Nikkor AF-D/G and the latest AF-S optics
  • RAW+ jpeg (4,256 x 2,848 pixels, 3,024 x 2,016 pixels, 2,304 x 1,536 pixels) dual-save mode
  • Mac and PC supported tethered shooting mode via USB 2.0 port and optional Hyper Utility software
  • Robust lightweight magnesium-alloy body with moisture- and dust-proof seals
  • Durable shutter unit stands up to approximately 100,000 cycles
  • Adoption of high-precision i-TTL flash control
  • 11-point AF sensor with faster autofocusing than the FinePix S3 Pro
  • Supports 1/3, 1/2, and 1 stop lens aperture control
  • Shutter speed 30 sec. to 1/8000 sec, maximum flash sync speed of 1/250 sec.
  • 3 levels of custom function locking with password protection
  • 2.5 inch LCD with 235,000 pixels, gives 100% frame coverage. Colour and monochromatic 30 seconds live view function to check focusing
  • Li-ion rechargeable battery
  • Compact Flash ä (CF) Card (Type I/II) and Microdrive ä compatible

Face Detection Technology for post image verification

  • Uniquely developed Face Detection Technology LSI is under development for the FinePix S5 Pro.  With one press of a button, the camera detects up to ten faces almost instantly after each image is captured. After shooting and during playback, the photographer can easily and quickly zoom in and check facial details such as closed eyes, focus and exposure on the LCD monitor


FujiFilm S5 Pro Specifications

Type of cameraInterchangeable-lens SLR-type digital camera
Number of effective pixels [2]12.34 million (S-pixel: 6.17million, R- pixel: 6.17million)pixels
CCD sensor23.0mmx 15.5mm Super CCD SR Pro
Number of recorded pixelsL: 4,256x2,848 / M:3,024x2,016 / S:2,304x1,536 pixels
Storage mediaCompact Flash™ (CF) Card (Type I/II) and Microdrive™
File formatExif-JPEG (Exif2.21 [3] compatible)
[Design rule for Camera File System 2.0 compliant /DPOF-compatible]
/ CCD-RAW(14bit) / CCD-RAW + Exif-JPEG
Image quality modeFINE/ NORMAL
Lens mountNikon F mount (with AF coupling and AF contacts)
Usable lensesType DX AF Nikkor: All functions supported
Type G or D AF Nikkor (IX Nikkor lenses can not be used): Allfunctions supported
Micro Nikkor 85 mm f/2.8D:All functions supported except autofocusand some exposure modes
Other AF Nikkor(excluding lenses for F3AF): All functionssupported expect 3D color matrix metering II and 3D multi-sensor balancedfill-flash for digital SLR
AI-P Nikkor: All functions supported except 3D color matrixmetering II,3D multi-sensor balanced fill-flash for digital SLR, andautofocus
Non-CPU: Can be used in exposure modes A and M; electronic rangefinder can be used if maximum aperture is f/5.6 or faster; color matrixmetering, multi-sensor balanced fill-flash for digital SLR, and aperturevalue display supported if user provides lens data
Lens servoSingle Servo AF(S) / Continuous Servo AF(C) / Manual focus(M)
Picture angleApprox. 1.5x focal length in 35mm format equivalent
SensitivityAUTOISO 100 / 125 / 160 / 200 / 250 / 320 / 400 / 500 / 640 / 800 / 1000 / 1250 / 1600 / 2000 / 2500 / 3200 (Standard Output Sensitivity)
Auto focusTTL. AF assist illuminator.
Focus areasNormal: 11 areas; single area or group can be selected; Wide:focus area can be selected from 7 areas
AF Area mode1) Single Area AF 2) Dynamic AF 3) Group Dynamic AF 4) DynamicAF with closest subject priority
Shutter speed30 sec. to 1/8000 sec.  Bulb.
Continuous shootingCH : Up to max. 3 frames/sec. ([D-RANGE] set to[100%(STD)])
/ Up to 1.5 frames/sec. ([D-RANGE]set to WIDE (other than [100%(STD)])
CL : Up to max. 2 frames/sec. ([D-RANGE] set to[100%(STD)])
/ Up to 1.5 frames/sec. ([D-RANGE]set to WIDE (other than [100%(STD)]),
and 1 frames/sec.
Auto bracketingNumber of shots 2-9 compensated EV value 1/3 1/2 2/3 1 EV step.
Exposure metering systemThree-mode through-the-lens (TTL) exposure metering.
3D Color Matrix Metering II (metering performed by 1,005-segmentRGB sensor) / Center-weighted / Spot
Exposure compensation-5.0EV to +5.0EV Step can be selected from 1/3, 1/2, 1EV step.
Exposure modesProgrammed Auto with flexible program [P], Shutter-Priority Auto[S], Aperture-Priority Auto [A], and Manual [M]
White balanceAutomatic / Incandescent light / Fluorescent lamp(1-5) / Fine /Flash / Shade / Colour temperature / Preset Custom(1-5)
Fine tuning can be set.
Film Simulation(STANDARD) / F1 / F1a / F1b / F1c / F2
Colour SpacesRGB / Adobe RGB (1998)
Dynamic RangeAUTO / 100%(STD) / 130% / 170% / 230% (W1) / 300% / 400% (W2)
ViewfinderFixed-eye level pentaprism, built-in diopter adjustment,
Frame coverage: Approx. 95%, Magnification: Approx. x 0.94
LCD back monitor2.5-inch approx. 230,000 pixels low temperature polysilicon TFT colorLCD (approx. 100% frame coverage for playback)
Built-in flashManual pop-up with button release. Guide No. 12 (ISO 100, m). 
i-TTL balanced fill-flash or standard i-TTL flash.
Flash synchronisation up to 1/250 sec.
Accessory shoeStandard ISO-type with hot-shoe contact (Safety lock provided)
Flash control1) TTL: TTL flash control by 1,005-pixel RGB sensor
Built-in flash: i-TTLbalanced fill-flash or standard i-TTL flash (spot metering or mode dial setto [M])
SB-800, 600 or SB-R200: i-TTLbalanced fill-flash for digital SLR and standard i-TTL flash for digital SLR
2) Auto aperture: Available with SB-800 with CPU lens
3) Non-TTL Auto: Available with flash such as SB-800, SB-80DX,SB-28DX, SB-28, SB-27, and SB-22s
4) Range-priority manual; available with SB-800
Remote releaseElectronic shutter release
Video outputNTSC / PAL selectable [3]
Digital interfaceUSB 2.0 (High-Speed)
Sync contactX-contact only: flash synchronisation up to 1/250 sec.
Synchronisation terminalEquipped with ISO 519 synchronisation terminal as standard, lockscrew provided
DC inputAC Power Adapter AC-135VN (Optional)
Power sourceRechargeable Li-ion battery (included) or AC Power AdapterAC-135VN (Optional)
Dimensions147mm(W) x 113mm(H) x 74mm(D) / 5.8in. (W) x 4.4in. (H) x 2.9in.(D) (not including accessories and attachments)
Camera mass (weight)Approx. 830 g/29.3 oz. (not including accessories, battery andmemory card)
Guideto the number of available frames for battery operationApprox. 400 frames [4]
Accessories includedRechargeable Li-ion battery NP-150, Battery charger BC-150, Shoulderstrap, Camera body cap, Eyepiece cap, LCD cover, USB cable(mini-B), Videocable, Accessory shoe cover, Synchronizing terminal cap, Remote releasesocket cap, CD-ROM [ image browser with CCD-RAW converting function ]
Optional accessoriesRechargeable Battery NP-150, Battery Charger BC-150, AC PowerAdapter AC-135VN,
Hyper-Utility Software HS-V3, Hyper-Utility Software HS-V3UP [5]

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